OUR TEAM
TIM SMITH
FOUNDER / OWNER
Tim’s first instrument was the trumpet at age 9, moving onto to the drums at age 11. Shortly after at age 15, Tim scored his first recording contract with Pair of Jacks Records while playing with one of his childhood bands, Paddlefish. The band released two albums (Something Fishy & Dredlochness) both were received well locally however had very little success on a national level. In 1997 Tim gave birth to, what would later open many doors pushing him into the national spotlight, 2 Phat & the Family Funktion. It was here that Tim took his shot at fronting his own group rather than sitting at the back of the stage. Over the next ten years, the band released five albums under the self-launched label, House Phunk Records. During live performances, Tim handled lead vocals & percussion, although on the studio recordings he also performed the drums & turntables. In 2005 & 2006 the band was nominated in several Detroit Music Awards categories.
It was also at this time The Soundscape Recording Studio became more than just an idea, it became a reality. In 2005 after struggling to keep up the momentum, Tim left 2 Phat & the Family Funktion only to join one of Detroit’s most successful rock bands, Zug Izland. At the time, Zug Izland was signed to Psychopathic Records and distributed by Sony Red. For the next five years, Tim toured the US & shared the stage with a handful of legendary acts such as Buckcherry, Drowning Pool, ICP, The Phunk Junkeez, Esham, Bone Thugs N Harmony, Ice Tea, Three Six Mafia, Yelawolf, and Morris Day & The Time just to name a few. In 2009 Tim applied for the necessary Michigan proprietary school license and shortly after fully developed and launched the School for the Recording Arts side of The Soundscape. In 2012 Tim was featured in several episodes of the popular reality T.V. show “Take the Stage” with super-producer Rodney “Darkchild” Jerkins & elite music artist manager Johnny Wright. Episodes featuring Tim were filmed onsite in Royal Oak Michigan at The Soundscape Recording Studio.
Tim’s studio work comprises of everything from jazz, classical, country, hip hop, rock, folk, and metal. Some of his more notable past clients have included the likes of Big Sean, Christon Birge, Tunde Olaniran, and ATMIG. In addition to teaching a new breed of audio engineers, Tim continues to engineer, mix & master select projects alongside of his hand-picked staff.
Tim authored three textbooks for Soundscape Studio & School for the Recording Arts. Aside from his studio teaching & engineering, Tim speaks regularly at high schools & universities regarding the art and business of music production and audio engineering. For more information on securing Tim for a speaking engagement please contact The Soundscape Recording Studio directly.
Patrick Sheufelt
INSTRUCTOR / ENGINEER
Patrick jumped headfirst into music with the trumpet at age 12. Unfortunately, at age 14, his brass career was cut short by a catastrophic facial injury. During recovery his band director, Robert Gras, purchased a bass guitar and gave it to Patrick who then picked it up without hesitation. Shortly thereafter he studied drums, percussion and guitar. At this point, it wasn’t long before he started his first band with some longtime friends.
From there, the journey was on. After years of gigging, writing, a brief stint in performance school, and lots of reading, Patrick decided to pursue engineering seriously by starting up his own project studio. He has since worked with some of Detroit’s best punk and hardcore artists and continues to produce records, teach audio engineering and write music.
“I fell into this because back in the day I was always the guy who figured out how to work the 4-track. Things have come a long way since then, these days I take a very naturalistic approach, but a very detail oriented one. I am concerned first and foremost with the song. Great engineering should be the baseline, I don’t really dwell on which preamp or compressor to use. I pick what will work best for the job and move on quickly so that more time can be spent focusing on the arrangement and getting great takes.